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Photo of NADIA MENEGOSI Argentina

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Biography

Born in Deer Eye, Santa Fe, Argentina, in 1982.

Develop their learning in art in the city of Rosario. Primarily designed for Joaquina Ramos.

Numerous exhibitions since 2003 until today.

Moods in the harmonious silence of the form.

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9.84 x 11.81 in
Sculpture
Sculpture
Sculpture
Sculpture
9.84 x 31.50 in
Sculpture
9.84 x 31.50 in
Sculpture
Painting
Painting
Sculpture
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Photo of NADIA MENEGOSI Argentina

Born in Deer Eye, Santa Fe, Argentina, in 1982.

Develop their learning in art in the city of Rosario. Primarily designed for Joaquina Ramos.

Numerous exhibitions since 2003 until today.

Moods in the harmonious silence of the form.

To explore the art, the optimum condition is to be happy dealing with it.
You need fun-in-Ciceronian sense, not disturbed or depressed against the work, but facilitate it.

A sculptor, like a painter or a poet, an artist when happier with his work: while thinking, while processed, while the works.

Without doubt, the work is obtained with sweat and fatigue, with a contained violence of the collision because of the dispute, the incessant difficulties that exist between matter and ideas. Nadia artist lives his fatigue as a moment of synthesis of many experiences, but also questions that go through your consciousness and sometimes are as questions, with no possibility of immediate solution.

Arial, font-size: 9pt "> If the sculpture is a physical act that tends to satisfy an inner need of the artist, the works would form a kind of diary. In that script is written Nadia's relationship with the subject and so touch his tools. The work resulting from this interaction tends to satisfy the senses, and the first-above all-is touch. His work needs to be touched, almost caressed.

And this prerogative prints homogeneous in their proposals, even in works distant in time, achieving a sense of unity interrupted.

font-size: 9pt "> Nadia, who inspires so much magic to their creative experiences, is an artist who also dominates the silence, he knows how vibrant, decorate it with a certain mysticism that blends the forms.

This alternation, between eloquent gestures and poses and intriguing silences, reflects a complete and versatile artist, with strong personality and great creative momentum, in a free and authentic. Far from academic representation activates a tension that continues in the works through the emotion and instinct for consistency, finally, on the moods in the words of Nadia Menegosi.

Prof. Joaquina Ramos 9pt ">

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